Employment
Links
Home
Terms & Conditions
Contact Us
About Our Store
Recover password
FAQ
Categories
Audio
Lighting
Package Deals
Staging
Rental
Blowouts/Closeouts
Manufacturers
Select Manufacturers
Ableton
R0DE
Access
Acclaim
Akai
AKG
Alesis
Allen & Heath
American Audio
American DJ
AMG
Antari
Aphex
Apogee
Apple
Arriba
Arturia
Ashly
Atmospheres
Audio-Technica
Audiolines
Audiology
Auralex
B-52
Bag End
Barkan
BBE
Behringer
BenQ
Bias
Blox Box
Blue
Boss
Cad
Cakewalk
Cerwin Vega
Chauvet
Clavia
CME
Cortex
Countryman
Crane Song
Creamware
Crest Audio
Crown
DBX
Denon
DIGITECH
Digidesign
DJ Skirts
DOD
Dynacord
Dynaudio
E-MU
EastWest
EAW
Echo
Ecler
Edirol
Elation
Electro Voice
Eliminator
Emes
ESDJCO
ESI Systems
Event
Eventide
Evolution
Fender Audio
Focusrite
Fostex
Frontier Design
Furman
Garritan
Gator
Gem Sound
Gemini
GForce
Gigskinz
Global Truss
Glowtronics
Grey
Grundorf
Hercules
HHB
Highend Systems
Hosa
IK Multimedia
iKey
JBL
Joe Meek
KAT
KB Covers
Klark-teknik
Korg
KRK
LeMaitre
Leviton
Lexicon
Line 6
LSC
Lynx Aurora
Lyte Quest
M-Audio
Mackie
Make Music!
Marantz
Marshall
Martin
Microboards
Midas
Middle Atlantic
MixVibes
Moog
MXL
Nady
Native Instruments
Nervous
NEC
Ness
Neumann
Norcent
Novation
Numark
Odyssey
OmniSistem
On-Stage Stands
Onkyo
Ortofon
Panasonic
PCDJ
Peavey
Phillips
Pioneer
PreSonus
Primera
Procase
Propellerhead
PVDJ
Pyle Pro
PYRAMID
QSC
Quik Lok
Racklight
Rane
Raxxess
RedSound
Rimage
RME
Road Ready
Rock N Roller
RODE
ROK SAK
Roland
Samson
SanDisk
sE electronics
Sennheiser
Serato
Seven Star
Sefour
Shure
Selenium
Sima
Six Star
SKB
SM Pro
Sole
Solid State Logic (SSL)
SONiVOX
Sony
Soundcraft
Spacetek
Spectrasonics
Stanton
Steinberg
Submercible Music
Tannoy
Tapco
Tascam
TC Electronic
TC Helicon
Technical Pro
Technics
TELEX
True Systems
TurboSound
UDG
Ultimate Support
Universal Audio
Urei
Vermona
Vestax
VocoPro
Vutec
Waves
Whirlwind
Yamaha
Z FUEL
Zoom
Eventide
IntelliStage
Elektralite
Other Resources
Manufacturer Rebates
Banners & Images
Buy Gift Certificates
Gift Certificate Recovery
Help
Recover password
Contact Us
Privacy statement
Terms & Conditions
We ship Worldwide
We accept
all forms of payment
TC Electronic INTONATOR #11291
Options
Quantity
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
Add to cart
New Price:
$1,099.95
We will beat any price.
Seen a better price or want to make us an offer? Click Here.
Link to this product.
Details
IntonatorEncompassing a heritage of more than 20 years of delivering professional tools to the pro audio industry, TC Electronic now proudly presents a highend vocal processing tool.Dedicated to the professional vocal recording engineer, the Intonator is aimed at reducing tedious engineering time spent on doing vocal re-takes. Not only does it provide you with the ultimate solution to vocal pitch correction, but it offers various valuable processing tools as well, including a De-esser, and a special Adaptive LoCut filter designed specifically for vocal processing.Main featuresQuality Tools For Quality EngineeringTonal integrity is a must when dealing with delicate human vocals. The Intonator preserves the artist's personal touch by allowing vibrato, initial intonation and correction limited to individual notes. Utmost care has been taken in the software development to ensure that all fine adjustments applied to the incoming signal are being processed in a subtle, yet highly effective manner!TransparencyBased on TC's world-renowned DARC�3 chip technology (incorporating 96kHz internal processing and true 24 bit resolution), the Intonator provides you with an ultra-transparent signal path. It features fully integrated AES/EBU, S/PDIF, Tos-link and ADAT digital I/O�s, and is 96kHz, 88.2kHz, 48kHz and 44.1kHz compatible on both digital and analog I/O's.CoherenceApart from the clear advantages of reducing the time spent on doing vocal re-takes, the Intonator also brings back coherence into the performance. Instead of cutting and pasting bits and phrases, with the loss of coherence as an obvious result, you now have a professional tool for processing and correcting your vocals in real time.Two Signal SetupsThe Intonator also makes you capable of configuring the signal path in two different ways. In Normal mode the ADIOS(Analog Dual I/O's) configuration enables you to make simultaneous recordings of processed and unprocessed vocals, making comparisons a breeze (see fig. A). Digital signals, from your digital multitrack recorder for instance, can be configured the same way, as well.In Dual mode you have the option of pitch-correcting the signal in one channel while using the dynamics, De-ess and LoCut, on the signal in the other channel (see fig. B).Being On TopYou can choose to correct a single note simply by using the unique Do-not-process-anything-but-this-note function achieved via an internal custom scale feature, or type in your personal scale. A Pitch window allows you to specify when a note will be considered out of tune, whereas the Amout control limits the level of Pitch correction added to the audio.The Audio-to-MIDI conversion allows you to keep track of the incoming pitch history and/or correction history, giving you the advantages of being on top of things throughout the entire recording session.The Intonator features full MIDI automation making time based pitch shifting a simple operation. Use your keyboard for real-time manual pitch correction simply by hitting the notes to be processed.DitheringThe use of dithering is very important when interfacing digitally between audio equipment. When resolution is changed from higher to lower, dithering is necessary to minimize distortion. In the Intonator you have the user friendly TPDF Dithering. The Output resolution of the Intonator is 24 bit, when the receiver of the Intonator signal has a lower resolution, Output Dither must be applied to equal the resolution of the receiver.Premium ConvertersWhen converting from analog to digital or vice versa, you should always try to use the full dynamic range of your converters. Even though the converters in the Intonator are 24 bit, analog gain may be applied before the AD's and after the DA's to make full use of them. The analog signal-path is balanced and can carry professional levels.ApplicationsWith the Intonator, you can establish a completely digital signal-path for vocal editing and correction. When tracking, the unit�s fine A to D converters may be utilized to get high quality digital signals directly to Multitrack, ADAT, ProTools etc.Audio-to-MIDIWith a simple setup you can monitor and edit your vocals externally. Just track the incoming pitch history to your sequencer, add the necessary correction and play back the pitch correction to the IntonatorKeyboardThe keyboard gives you instant access to changing the Root note of the current scale or the notes allowed to be corrected. Simultaneously the keyboard also indicates the incoming note, making it possible to recognize the note about to be processed.DisplayThe Display shows you the current Root note and Scale. While processing you can see both the incoming signal and the amount of correction added to the source, creating a visual confirmation of the process taking place.Window, Attack and AmountThese three knobs allow you to individualize the processing in detail. The Window knob determines how close to a particular note the source should be in order to be corrected. The Attack knob conducts the response-time before the correction sets in. This will help preserve the artist's personal touch by e.g. allowing vibrato. The Amount knob sets the amount of correction added to the signal.Manual PitchUse the Manual Pitch control to add pitch correction by hand. The wheel can also be remote controlled by your keyboard modulation wheel or even provide in-sync changes when locked to a sequencer.The De-esser uses a relative threshold technique. This means that the actual threshold is always set according to the average level of the source signal. Consequently, the De-esser always adapts to the incoming signal and maintains the same threshold to the average level regardless of the Input signal.Adaptive LocutThe Adaptive LoCut is a pitch controlled LoCut Filter. Instead of cutting off frequencies under a predetermined value, the Adaptive LoCut filter controls the cut off frequencies dynamically in accordance with the incoming signal. This ensures a perfect LoCut that never removes too much low end. Technical SpecificationsDigital Inputs and OutputsConnectors XLR (AES/EBU)RCA Phono (S/PDIF)Optical (Tos-link, ADAT)Formats AES/EBU (24 bit)S/PDIF (24 bit), EIAJ CP-340, IEC 958EIAJ Optical (Tos-link)ADAT Lite pipe (24 bit)Output Dither HPF/TPDF dither 8-24 bit, independent dithered outputWord Clock Input RCA Phono, 75 ohm, 0.6 to 10 VppSample Rates 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHzProcessing Delay 15 msFrequency Response DIO DC to 23.9 kHz � 0.01 dB @ 48 kHzDC to 47.9 kHz � 0.01 dB @ 96 kHzAnalog InputsConnectors XLR balanced (pin 2 hot)Impedance 20 kohmMax. Input Level +22 dBu (balanced)Min. Input Level (for 0 dBFS) -10 dBuSensitivity: @ 12 dB headroom -22 dBu to +10 dBuA to D Conversion 24 bit (6.144 MHz delta sigma @ 48/96 kHz)A to D Delay 0.8 ms @ 48 kHz, 0.4 ms @ 96 kHz.Dynamic Range >103 dB (unweighted, BW = 22 kHz), >106 dB(A)THD -95 dB (0,0018 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu)Frequency Response 10 Hz to 20 kHz : +0/-0.2 dB @ 48 kHz10 Hz to 45 kHz +0/-1 dB @ 96 kHzCrosstalk <-80 dB, 10 Hz to 20 kHz typical -100 dB @ 1 kHzAnalog OutputsConnectors XLR balanced (pin 2 hot)Impedance 100 Ohm (active transformer)Max. Output Level +22 dBu (balanced)Full Scale Output Range -10 dBu to +22 dBuD to A Conversion 24 bit (6.144 MHz delta sigma @ 48/96 kHz)D to A Delay 0.57 ms @ 48 kHz, 0.28 ms @ 96 kHzDynamic Range >100 dB (unweighted, BW = 22KHz), >104 dB(A)THD -82 dB (0.008 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu)Frequency Response 10 Hz to 20 kHz : +0/-0.5 dB @ 48 kHz10 Hz to 45 kHz +0/-3 dB @ 96 kHzCrosstalk <-60 dB, 10 Hz to 20 kHztypical -90 dB @ 1 kHzEMCComplies with EN 55103-1 and EN 55103-2FCC part 15, Class BCISPR 22, Class BSafetyCertified to IEC 65, EN 60065, UL 1419 and CSA E65EnvironmentOperating Temperature 32� F to 122� F (0� C to 50� C)Storage Temperature -22� F to 167� F (-30� C to 70� C)Humidity Max. 90 % non-condensingPCMCIA InterfaceConnector PC Card, 68 pin type 1 cardsStandards PCMCIA 2.0, JEIDA 4.0Card Format Supports up to 2 MB SRAMControl InterfaceMIDI In/Out/Thru: 5 Pin DINGPI, Pedal, Fader � phone jackGeneralFinish Anodized aluminum frontPlated and painted steel chassisDisplay 8 x 128 dot graphic VFDMains Voltage 100 to 240 VAC, 50 to 60 Hz (auto-select)Power Consumption <20 W
8
%
Printable version
Search
Advanced search
Your cart
Cart is empty
View cart
Checkout
Authentication
Username or Email Address
Password
Log in
Register
If Javascript is disabled in your browser click here
Get Weekly Savings
In Your Email
Email:
News
Audiolines.com is now proud to be an authorized Digidesign Protools HD (stocking) Dealer
Free Clinic on M-Audio May 14, 6PM
Copyright © 2002-2008 Audiolines.com
Powered by
Audiolines.com