Aphex 720 Dominator II Precision Multiband Peak Limiter #16976

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The Aphex Systems Model 720 Dominator II is a stereo MultiBand peak limiter designed to fit a wide range of applications. Through the use of MultiBand techniques along with new proprietary circuits, the audibility of limiting action has been greatly reduced, especially when compared to conventional limiters. This means that greater limiting depth is possible, resulting in higher loudness with maintained audio quality. At virtually any limiting depth, the Dominator II is free of hole punching, dullness, and most other effects normally associated with limiters. As a peak overshoot protection limiter, the Dominator II is undetectable in line while it absolutely prevents peak levels from exceeding a user settable output level. In addition, the desired limiting effects of greater audio density and increased punch are readily available with the Dominator II.The Model 722, for broadcast use, has the Pre and De-emphasis circuitry, while the Model 720 Does not.FEATURESPeak Ceiling Trimmable in 0.2dB Steps Over a 34dB Range3 Bands of Limiting with Switchable Crossover FrequenciesPatented Automatic Limit Threshold (ALT) CircuitryFreedom from PumpingFreedom from Spectral Gain IntermodulationAdjustable Density (Relative Crest Height)Calibrated Detented Potentiometers104dB Dynamic RangeLF and HF EQ Provides Shaping Equalization Below Peak CeilingRelay Bypass, Remote ControllableServo-Balanced Transformerless Inputs and OutputsAPPLICATIONSSound Contracting -- protection of amplifiers and speakers from overload; increased loudness; maximized use of available power.Recording -- preventing sudden peak overload of mixer or recorder; tightening tracks; special effects, etc.Mixing -- used as a program limiter, the Dominator II will keep a track rock steady for layering into or on top of a mix.Digital Sampling -- obtaining good full scale samples free from peak overload, i.e. no more missed samples.Digital Recording -- insuring clean recording by stopping clipping of peaks and overshoots. Maximizes bit usage for less distortion.Satellite Uplink -- Modulation control to prevent splattering on high frequency audio, gives reduced distortion, better signal-to- noise.Broadcasting -- AM and FM modulation control for increased loudness; cleaner sound; use in production for greater consistency of tapes, punchier voice-overs.Location Film Shoots -- anti-crash for dialog and sound effects recording.Post Production -- Soundtrack peak control; managing difficult dialog; controlling transient sound effects.Optical Recording and Transfer -- prevents valve clash, gives higher average level with low distortion and better signal-to- noise performance.Analog Disk Mastering -- peak control for high allowable average cutting levels; less limiter degradation to the program; brighter, punchier sound.C/D Mastering -- peak and density control for more accurate digitizing, cleaner sound requiring less error correction on playback; no limiter induced sound degradation.STL & Phone Line Driver -- maximize signal-to-noise without overload distortion.Video and Audio Tape Duplication -- Hotter transfers without saturation.